MOVEMENT COACHING
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Keep scrolling or click any button to learn more + book with me today!
“Karen’s understanding of movement and physicality adds another dimension to improvisational comedy.”
MOVEMENT COACHING
The Visitation, Off-Broadway Immersive Theatre Experience, Witness Immersive Productions
No Proscenium Review
The Screwtape Letters, Off-Broadway & National Tour, Fellowship for Performing Arts
Newsweek Review
The Great Divorce, Off-Broadway & National Tour, Fellowship for Performing Arts
New York Times Review
Mark’s Gospel, Regional Tour, Fellowship for Performing Arts
INTENSIVES
Magnet Theater, NYC
OKC Improv, Oklahoma City, OK
Byrd Productions, Kansas City, MO
Austin Hideout Theatre, Austin, TX
Covert Theatre, Auckland, New Zealand
K2 Productions, Wellington, New Zealand
FESTIVAL TEACHING ARTIST
Palm Beach Improv Festival, Palm Beach, FL
Seattle Festival of Improv Theatre, Seattle, WA
Baltimore Improv Festival, Baltimore, MD
Red Dirt Festival, Okc, OK
Philly Duo Fest, Philadelphia, PA
Out of Bounds West Fest, Santa Monica, CA
San Francisco Improv Festival, San Francisco, CA
Austin’s Out of Bounds Fest, Austin, TX
Providence Improv Festival, Providence, RI
Miami Improv Fest, Miami, FL
Louisville Improv Festival, Louisville, KY
Comedy Gumbo Festival, Charlottesville, VA
Courageous Mongoose Festival, WKU, Bowling Green, KY
Oberlin Improv Conference, Oberlin, OH
Gulf Coast Comedy Festival, Seaside, FL
Toronto Jamboree, Toronto, Canada
TV2 Laugh Fest, Auckland, New Zealand
“Karen Wight’s understanding of movement and physicality adds another dimension to improvisational comedy. Getting trapped in a ‘talking heads’ scene becomes impossible after working with her. Her teaching style is gentle and direct, a completely unintimidating introduction to the world of physical comedy.”
“Karen Eleanor Wight’s physical work as the imp Toadpipe is exceptional...[her] ability to switch and create new characters was terrific...[she] added an element of humor that helped lighten the evening.”
“..she manages not only to enact all the other parts... but to convey the degraded animality of pure evil. Slithering around a distinctly dank and dungeoun-like set, her creepy pantomimes brilliantly counterpoint Screwtape’s bombastic rants.”