Karen Eleanor Wight
 
 

 USE YOUR WORDS!

A ONE ACT PLAY

 
 
Karen Wight - Use Your Words-21-1.jpg

USE YOUR WORDS! A One Act Play

 

Use Your Words! is a two-hander—in five almost wordless scenes—about a new mother struggling with the responsibility of caring for a tiny human. The show is rooted in comic physicality with many props mimed—most importantly, the baby.  

Imagine The Play That Goes Wrong with a much smaller cast, fewer words, and less murder.

Maybe don’t imagine The Play That Goes Wrong at all.

Let’s elaborate: An unsuspecting trumpet player will be the onstage musician. Please don't tell him there's no singing or dancing in this production. Or that he’ll be onstage.

Is this clear as mud? Please focus.

This play developed out of Karen’s 18 years of performing as 1/2 of the duo Imp. This ground-breaking duo Imp improvised wordless scenes at festivals nationally and internationally. Imagine Charlie Chaplin with a generous splash of Looney Tunes.

But this play, Use Your Words! IS NOT improvised. It’s a play. With a script. Huh.

Ok, imagine Looney Tunes and Monty Python have a baby. And then try to keep it ALIVE.

Nailed it.


DATES/TIMES, SHOW + TICKET INFO

Use Your Words! will be at the Edinburgh Fringe Festival 2025! 

SHOW INFO
Dates: August 18 - August 23
Time: 12:25pm (65 min)
Location: theSpace @Niddry St, Upper Theatre on the Royal Mile

TICKETS: https://www.thespaceuk.com/shows/2025/use-your-words

THE CREATIVE TEAM:
Written and Performed by Karen Eleanor Wight 
Music and Percussion by Rodney Umble
Directing by Zinc Tong and Karen Eleanor Wight
Production Stage Management by August Siegel 
Assistant Stage Management by Diana Krasovska
 
Play Development by Melissa Attebery

 

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PROMOTIONAL PHOTOS

 

PRODUCTION PHOTOS

 

THE REVIEWS

 
USE YOUR WORDS! was truly one of the best things I’ve seen so far this fall. Karen Eleanor Wight’s artistry, skill level, and capacity to hold a room’s attention is impressive. 
— Ria T. DiLullo, Artistic Director of Skeleton Rep
USE YOUR WORDS! was an absolute delight.
Without saying a word, Karen was able to pantomime the chaotic joy of being a parent.
— Ken Denison, Executive Producer, Aruba Productions
Karen Eleanor Wight’s USE YOUR WORDS! is a mesmerizing journey through parenthood using movement and expression. In her captivating wordless performance, Karen will make you laugh, think, cry, and, if you’re lucky, hold an invisible baby. Don’t miss the chance to see this powerful performance.  
— Vanessa Shealy, Executive Director, Emerging Artists Theatre
USE YOUR WORDS! is refreshing and funny as both physical storytelling and a personal but universal account of the early phase of motherhood. This style and this topic are seriously underexplored, so this show is a gift.
— Ian Morgan,  Associate Artistic Director, The New Group
Wight’s attention to kinesthetic detail in USE YOUR WORDS! brings this hilarious and meaningful journey of motherhood to life. Each of her movements are simultaneously incredibly clear and comedically timed. You won’t last two minutes without laughing.
— Joseph Heitman, Artistic Director, One Day Dance

EDINBURGH FRINGE 2025 REVIEWS
Tim Wilcock, Fringe Review

To read the whole review click the button below.

FRINGE REVIEW
Weird, wonderful, wacky and wordless. Almost. A brilliant two-hander…
The denouement is wonderfully tender and beautifully delivered, a fitting climax to a brilliantly conceived and executed piece of performing art.
Not quite centre stage but nonetheless an absolutely pivotal part of the performance is a man on a chair, draped with a clipboard, holding a tiny trumpet…Meet the innovative Rodney Umble...
It’s a tour de force of mime and physical theatre, the delicacy of her movement redolent at times of Oliver Hardy…
This is an absolute hidden gem of a piece of theatre, a unique take on the perils of parenthood.  The attention to every little detail, the soundscape, the lighting, the staging, the choreography, the mime, the expression, the silliness, the clowning, the concept, the whole damn thing.
Wight’s seemingly infinitely elastic body works well with her expressive face and her hands, oh, those hands, they are so supple, so demonstrative that words really are superfluous – you know exactly what she’s doing, every time.
Umble’s performance is equally striking. Expressive, creative, inspired...